THIS IS JUST MY OPINION,

NOT THAT OF THE LCAC,

THE BOARD OF DIRECTORS,

THE MEMBERSHIP OF THE LCAC,

NOR ANY OF MY RELATIVES.

The war government's compositional esthetic very weak
(with graphic).

Nunsense, Fiddler on the Roof and Uncorruptible:
a year of comparative religion.

       The combined efforts of the Lakeport Community Players and the Lake County Repertory Theater companies have produced several interesting stages pieces in the last year, including Nunsense, a musical revolving around the silliness of stage-struck nuns, and Fiddler on the Roof, a musical which used the very-human silliness of Eastern European Jews to great comedic effect. I was expecting the next production to be Flower Drum Song, but I am occasionally too cynical. When the decision was made about the next production, it turned out to be the much less well-known Incorruptible.

       Incorruptible is not a musical, I have to say. It is a comedic drama about monks in the Middle Ages forced to sell bones supposedly of saints in order for their monastery to survive, and the humour comes from a cynicism more global than mine. The last scene, the last few lines of dialogue, miraculously blunts the cynicism of the play's premise, and any true believer who was offended up to that point will just have to get over it.

Government Fear Theatre ~ A Short Review
Dollar Line
© 2007 Xian Yeagan

I've been an artist all my life,
grew up in an artistic family, always had artists for friends.
What artists do, they play around with illusions, create illusions.

I like to think that I can tell when the facts have been worked over in Photoshop,
when the declaritive sentence has been cobbled together from the short ends of half-truths.
Lies have to be pretty artful to get by me.

But I am so tired of the ham-handed psy-ops our government brings to the stage.
I am offended to think that they believe
that they can fool anyone with such miserable theater, such boring graphics, such lumpy poetry, such square ballet, and such far-fetched plots with only one plot device,
fear.

The audience is restive, talking among themselves. The actors are looking for the exits.
The boys in standing-room-only have tomatoes.

We know this production cost many billions of dollars. But it sucks.

Beauty to the People

Assembled by Xian for the LCAC
email yeagan@xianyeagan.com
http://www.xianyeagan.com